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Auditions – The Wedding Singer


Audition Information

All Roles Open, Non-Union, Non-Paid

Auditioners should be 16 years of age and older

In Person Audition Dates & Times:

– Tuesday, February 6 (7:00 pm – 9:00 pm)
– Thursday, February 8 (7:00 pm – 9:00 pm)
– Saturday, February 10 (10:00 am – 2:00 pm)

Please Bring:

  • Photo / Headshot
  • Resume / List of previous shows
  • List of schedule conflicts
  • Approx. 30 seconds of a song in the style of the show (not from the show)
    • Bring sheet music or Karaoke track
  • Shoes and clothes appropriate for a short dance audition

To send a video audition, email the following information by February 10 to

  1. Completed audition form
  2. Role requested
  3. Resume / List of previous shows
  4. List of schedule conflicts
  5. Video (mp4, mov, wmv or avi formats)
    1. 16-32 bars of your audition song in the style of the show
    2. 20-30 seconds of improv choreography to “It’s Your Wedding Day” (from the show)

Audition Forms & Rehearsal Details

First Rehearsal: Tuesday, February 20 (7pm – 9pm)

Tech Week*: Saturday, Apr. 27 – Thursday, May 2

*Tech week weekend days will run longer than normal

Expected Rehearsal Days:

  • Tuesdays and Thursdays 7:00pm – 9:00pm
  • Saturdays 10:00am – 1:00pm

Exact timing subject to finalized cast availability.

Musical by Chad Beguelin and Tim Herlihy

DIRECTOR: Bryan Brown



STAGE MANAGER: JonNell Paschall


Show Dates & Times:

  • May 3 @  8:00pm
  • May 4 @ 8:00pm
  • May 5 @ 3:00pm
  • May 10 @ 8:00pm
  • May 11 @ 8:00pm
  • May 12 @ 3:00pm

THE WEDDING SINGER is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.


(in order of appearance)

Robbie Hart – The lead singer of a band. Handsome and charismatic. A truly ‘nice’ guy that has the classic lead singer aura and personality. A bit of a dreamer. In love with love until Linda leaves him at the altar and breaks his heart.

Sammy – The bass player in the wedding band and one of Robbie’s best friends. A total guy’s guy, but beneath his pretending to love being a bachelor he is actually in love with Holly.

George – The wedding band’s keyboardist and one of Robbie’s best friends. Sensitive and somewhat flamboyant. The foil to Sammy’s super guy attitude. Homage to Boy George.

Julia Sullivan – Waitress. The pretty “girl next door”. Engaged to Glen but falls in love with Robbie and is conflicted as to who to choose.

Holly – Julia’s cousin, very uninhibited and forward with comedic timing. Sexually free and always up for a good time. She is in love with Sammy. Dresses like Madonna of the 80’s.

Glen Guglia – Julia’s fiancé. A Wall Street broker. He is rich, shallow, and materialistic. Constantly tries to buy Julia’s love with money. He is a bit of a womanizer.

Rosie – Robbie’s grandmother who raised him. Motherly but adventurous and always trying to remain “hip”. Good comedic Timing. Can Rap.

Linda – Robbie’s fiancé who leaves him at the altar. Keeps Robbie around as a back-up plan. Is more in love with the idea of Robbie being a rock star than she actually is with Robbie. 80’s video vixen style.

Impersonators (If you can perform any of the impersonator roles, be prepared to do it at auditions.)

  • Billy Idol
  • Cyndi Lauper
  • Mr. T
  • Ronald Reagan
  • Tina Turner
  • Nancy Reagan
  • Imelda Marcos

Ensemble with featured solos and dancers.

All Roles Open, Non-Union, Non-Paid

Auditioners should be 16 years of age and older


Please Note (Intimacy & Caution Warning):

Some stage kissing and light physical touch, always fully-clothed, may be requested between characters in couples. Please indicate if you are unable to accept such a role, keeping in mind all information in the posting pertaining to the casting of these characters.

Some well-timed dodging-of-thrown-objects and other physical comedy moments may be requested of certain characters. Please indicate if you are unable to accept such an “active” role.

Artistic Synergy of Baltimore is a consent-based and trauma-informed organization and all ensemble members will be led through intimacy- and consent-based practices to choreograph and block all movements of the show. If you have questions regarding details or want more information about these practices, please email us at