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Auditions – She Kills Monsters

AUDITIONS

Audition Information

 All Roles Open, Non-Union, Non-Paid

Actor Age Range: 18+

There are a few roles for underage actors. Actors trying out for these roles must be at least 16 years old and come with a parent/guardian who can sign forms on their behalf.

Audition Dates & Times:

  • Tuesday, March 3, 7:00 PM – 9:00 PM
  • Friday, March 6, 7:00 PM – 9:00 PM
  • Saturday, March 7, 2:00 PM – 5:00 PM
  • Video Submissions accepted until March 6 EOD. Send to ArtisticSynergyBaltimore@gmail.com

Please Bring

  • Photo/Headshot
  • Resume or List of previous shows (if applicable)
  • List of schedule conflicts between March 30 and June 7 (no tech week or show conflicts will be accepted)
  • Prepare a 1-2 minute monologue that you feel expresses your range as a performer.

Audition Forms & Rehearsal Details

DIRECTOR: Broadus Nesbitt III

ASSISTANT DIRECTOR: Taylor Fruhling

STAGE MANAGER: Jennifer Cassagrande

ASST. STAGE MANAGER: Kara Kaskel

Show Dates & Times:

  • May 29 @ 8:00pm
  • May 30 @ 8:00pm
  • May 31 @ 3:00pm
  • June 5 @ 8:00pm
  • June 6 @ 8:00pm
  • June 7 @ 3:00pm

Location: Artistic Synergy of Baltimore @Prince of Peace Lutheran Church

8212 Philadelphia Road (Basement) Rosedale, MD 21237

First Read-Through: March 30, 7:00-9:00 PM 

Tech Week*: Sunday, May 24 – Thursday, May 28

*Tech week rehearsals could run longer than normal rehearsals

Expected Rehearsal Days: 

Monday, Tuesday and Thursday (7:00-9:00PM)

Exact rehearsal schedule subject to finalized cast availability.

SHOW SYNOPSIS

She Kills Monsters by Qui Ngyuen is a comedic and heartfelt play about Agnes, who after her sister Tilly’s tragic passing discovers her homebrew Dungeons and Dragons campaign. Through exploring the campaign and its modules she discovers the truth about her sister, as well as experiencing fairies, elves, dragons, bugbears and much more.

Characters

In Order of Appearance

Agnes Evans- Agnes is a high school teacher in her mid-to-late 20s who leads a relatively average life. She is initially depicted as pragmatic, cautious, and somewhat disinterested in fantasy or nerd culture. After the tragic death of her younger sister, Tilly, Agnes embarks on a journey to understand Tilly’s world by playing her Dungeons & Dragons module. Through this journey, Agnes transforms, becoming more adventurous, empathetic, and connected to her own emotions and those around her.

Tilly Evans- Tilly is Agnes’s younger sister, a high school student who died in a car accident. In the world of Dungeons & Dragons, she is Tillius the Paladin, a powerful and brave character. Tilly is a self-proclaimed nerd who is passionate about fantasy games and has a vivid imagination. Through Agnes’s exploration of the game, Tilly is revealed to be more than just a sister; she is a heroic and complex figure whose struggles with her identity and sexuality are central to the play.

Chuck Biggs– Chuck is a high school student and Dungeon Master who introduces Agnes to the world of Dungeons & Dragons. He is quirky, enthusiastic, and somewhat socially awkward, but his deep knowledge and passion for the game make him an invaluable guide for Agnes. Chuck’s character balances humor and sincerity, providing comic relief while also demonstrating genuine care for Tilly and her memory.

Miles– Miles is Agnes’s boyfriend. He is well-meaning and caring but struggles to understand Agnes’s newfound obsession with Dungeons & Dragons. Initially portrayed as somewhat conservative and conventional, Miles’s character arc involves him coming to terms with and supporting Agnes’s journey. His development reflects the theme of acceptance and love within the play.

Lilith Morningstar/Lilly– In the game, Lilith Morningstar is a fierce Demon Queen and a member of Tilly’s adventuring party. She is strong, confident, and loyal. Outside the game, she is Lilly, a student who shared a close, possibly romantic, relationship with Tilly. Lilith’s character reveals the hidden depths and vulnerabilities of Lilly, showcasing the duality between fantasy and reality.

Orcus/Ronnie– Orcus is a lazy, somewhat comical demon in the game who used to be a fearsome Overlord but now prefers to lounge around watching TV. He provides much of the play’s humor with his irreverent attitude. Outside the game, he is Ronnie, another student who knew Tilly. Orcus/Ronnie’s character serves as a bridge between the lighthearted and serious elements of the play.


Kaliopie/Kelly– Kaliope is an athletic Dark Elf and an expert tracker in the game, part of Tilly’s party. She is graceful, skilled, and speaks in an archaic, formal manner. Outside the game, she is Kelly, a student with a physical disability. Kaliope’s character showcases Kelly’s strength and adaptability, emphasizing themes of inclusion and empowerment.

Vera- Vera is Agnes’s best friend and colleague, a high school guidance counselor. She is pragmatic, straightforward, and often the voice of reason in Agnes’s life. Vera provides a grounding influence and supports Agnes through her emotional journey, balancing the fantastical elements of the story with real-world sensibility.

Steve– Steve is a recurring character in Tilly’s Dungeons & Dragons game, often meeting unfortunate and humorous deaths. He represents the expendable, comic relief character in many role-playing games. Steve’s character is a source of levity and highlights the playful and unpredictable nature of the game.

Narrator- Yes there is a Narrator who helps walk and guide us through the story.

Ensemble– There are many “NPC” characters in the game such as bug bears, the beholder, the gelatinous cube, and a fairy guardian. There is always something for the ensemble to do!

 

Non-Paid / Non-Equity

Please Note (Intimacy & Caution Warning):

Some shows may require some stage kissing and light physical touch, always fully-clothed, between characters in couples. Please indicate if you are unable to accept such a role, keeping in mind all information in the posting pertaining to the casting of these characters.

Some well-timed dodging-of-thrown-objects and other physical comedy moments may be requested of certain characters. Please indicate if you are unable to accept such an “active” role.

Artistic Synergy of Baltimore is a consent-based and trauma-informed organization and all ensemble members will be led through intimacy- and consent-based practices to choreograph and block all movements of the show. If you have questions regarding details or want more information about these practices, please email us at ArtisticSynergyBaltimore@gmail.com.